Quote (Aruta)
Там же вообще никаких оснований так думать не дано. Он ей мозги скрутил вон она и того.
вот что например на IMDB люди накалякали:
What is the evidence that show the whole film is a dream?
1. The kids at the end of the movie are the exact same age as those in his projections. It's as if no time has passed in the real world. However if this is a dream then it makes complete sense that the kids remain ageless (not to mention in the same position). (Also of note is the fact that talking to his daughter on the phone clearly demonstrates that she is significantly older than the daughter he meets at the end of the film. THis of course, complicates things even further...)
2. Repeated lines of dialog shared amongst the characters (Mal and Saito both tell Cobb to take a "leap of faith", Cobb predicts what Saito will say in limbo).
3. The line from the old man in the underground lab of Yusuf: "Their dream has become their reality. Who are you to say otherwise?" or even Miles line: "Come back to reality, Cobb", or even James (Cobb's son) when Cobb asked: "What have you been painting? and he said at the end of the film: "We're building a house on a cliff".
4. We never get to see Ariadne or Arthur use their totem. Why so?
5. The clumsiness of the homicide police investigation regarding Mal's case and put the blame on Cobb entirely.
6. The spinning top at the end of the film. The top is a totem used to help verify whether Cobb's in reality or in someone else's dream, but it offers no verification against being in his own dream. He knows the exact weight, composition and how it should spin. So whether the top stops or continue spinning, it's not important as even when it stops, it could be that Cobb believes that he finally reunite with his family, hence his dream fully becomes his reality.
7. In Mombasa, in the bathroom after he tests Yusuf's sedative, you see the figure of Mal behind the curtains, if he was in "reality" then his subconscious could not be projecting her.
8. Cobb's totem was not Mal's top, rather one could suggest that Mal was his reality check, his 'real' totem. Yet throughout the movie he was directly or indirectly responsible for either killing her or imprisoning her, in essence losing his sense of reality and refusing to face up to the facts - which may be that he was indeed dreaming the whole time.
9. The musical score that is heard, is the slowed down playhead of "Non, Je Ne Regrette Rien", which is the Edith Piaf song used for the musical countdown. The significance here is that the deeper you go into the dream, time slows, thus the music will slow too, mimicking the score. This musical design perhaps indicates that Cobb's reality was still very much a dream state too.
10. Numerous improbable or coincidental events that happened during parts of "reality". Cobb is saved by Saito coincidentally during the chase between Cobol Engineering agents and him, Cobb squeezing through the walls during the chase, to what certain extent the power that Cobol Engineering and Saito possess, etc.
11. Nearly the entire team is highly proficient with all types of weaponry, though certainly Cobb at least, does not appear to have had any particularized weapons training. How does Adriene know how to even fire a gun, much less hit anything? All appear to be highly capable in all sorts of militaristic tasks, from skiing, to explosives, to hand to hand combat, to sniping...
Мне не понравилось.
